Books: Solids and Surfaces: A Chemist's View of Bonding in Extended Structures

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Read online Solids and Surfaces: A Chemist's View of Bonding in Extended Structures.pdf PDF, EPUB, MOBI, TXT, DOC Solids and Surfaces: A Chemist's View of Bonding in Extended Structures This unique book shows how chemistry and physics come together in the solid state and on surfaces Using a lively graphic descriptive approach it teaches chemists the language that is necessary to understand the electronic structure of extended systems And at the same time it demonstrates how a chemical frontier orbital approach to solid state and surface bonding and reactivity may be constructed .

The book begins with the language of crystal orbitals band structures and densities of states The tools for moving back from the highly delocalized orbitals of the solid are then built up in a transparent manner they include decompositions of the densities of states and crystal orbital overlap populations Using these tools the book shapes a meeting ground between detailed quantum mechanical calculations and a chemical frontier orbital perspec tive Applications include a general picture of chemisorption bond breaking and making in the solid state bonding in metals the electronic structure of selected conducting and supercon ducting structures dissociation migration and coupling on surfaces and the forces controlling deformation of extended systems by Roald Hoffmann

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Solids and Surfaces: A Chemist's View of Bonding in Extended Structures
Title:Solids and Surfaces: A Chemist's View of Bonding in Extended Structures
Format Type:eBook PDF / e-Pub
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ISBN:0471187100
ISBN 13:
Number of Pages:152
Category:Manga
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Something That Belongs to You, Chemistry Imagined: Reflections on Science, Solids and Surfaces: A Chemist's View of Bonding in Extended Structures, Beyond the Finite: The Sublime in Art and Science, The Same and Not the Same, Roald Hoffmann on the Philosophy, Art, and Science of Chemistry, Gaps and Verges: Poems, The Metamict State, Soliton, Old Wine, New Flasks
No description available, No description available, In Chemistry Imagined Nobel laureate Roald Hoffmann in a unique collaboration with artist Vivian Torrence reveals the creative and humanistic sparks that drive science in general and chemistry in particular A series of thirty field color painted collages paired with short essays personal commentary and poems evokes the magic of this usually inaccessible field its historical roots the richness of modern chemical activities and the mysterious confluences of science and art Showing the general reader how science permeates daily life Hoffmann stresses the social cultural literary and psychological contexts of chemistry With delicate surreal images Torrence explores the highly visual nature and the intellectual essence of chemistry the way chemists think and the way they formulate their questions Chemistry Imagined discusses chemical discoveries processes and personalities in an unusually humanistic manner Perusing the contents a reader finds the first drafts of the periodic table of elements likened to revisions of a William Blake poem the chemical reasons behind the success of Chinese folk medicine a poem about scanning tunneling microscopy similarities between molecules and musical instruments and a meditation on why it is that scientists supposediy discover but artists create The general public along with scientists and artists will find that this celebration of how molecular science fits into world culture is surprising compelling and poignantly beautiful Torrence s provocative images and Hoffmann s perceptions of modern and ancient chemistry shape an illuminating collage of a central science, Throughout its long history and not just as the key aesthetic category for the Romantic Movement the sublime has created the necessary link between aesthetic and moral judgment offering the prospect of transcending the limits of measurement even imagination The best of science makes genuine claims to the sublime For in science as in art every day brings the entirely new the extreme and the unrepresentable How does one depict negative mass for example or the folding of a protein that is contagious Can one capture emergent phenomena as they emerge Science is continually faced with describing that which is beyond This book through contributions from nine prominent scholars tackles that challenge The explorations within Beyond the Finite range from the images taken by the Hubble Telescope to David Bohm s quantum romanticism from Kant and Burke to a downward spiraling infinity of the st century sublime all lucid yet transcendent Squarely positioned at the interface between science and art this volume s chapters capture a remarkable variety of perspectives with neuroscience chemistry astronomy physics film painting and music discussed in relation to the sublime experience topics surely to peak the interest of academics and students studying the sublime in various disciplines